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หมายถึง การสรรเสริญพระเป็นเจ้า เป็นการเทิดพระเกียรติ
เหมือนดังคำในภาษากรีก ที่มีรากศัพท์มาจากฮีบรูคือ "โฮซานนา"
เป็นการสรรเสริญ พระสิริรุ่งโรจน์ของพระเจ้า
ในท่วงทำนองของมนุษย์บนแผ่นดินร่วมเสียงกับชาวสวรรค์
ดุจดังคำภาวนาที่ประสานไปกับท่วงทำนองแห่งคีตศิลป์บรรเลง.
The Lord has filled my heart with Joy! ( 1 Sam. 2:1)
หมายถึง การสรรเสริญพระเป็นเจ้า เป็นการเทิดพระเกียรติ
เหมือนดังคำในภาษากรีก ที่มีรากศัพท์มาจากฮีบรูคือ "โฮซานนา"
เป็นการสรรเสริญ พระสิริรุ่งโรจน์ของพระเจ้า
ในท่วงทำนองของมนุษย์บนแผ่นดินร่วมเสียงกับชาวสวรรค์
ดุจดังคำภาวนาที่ประสานไปกับท่วงทำนองแห่งคีตศิลป์บรรเลง.
The Lord has filled my heart with Joy! ( 1 Sam. 2:1)
ฟรีโหลดเพลงคริสต์มาส Christmas Songs & Music Download Free!
- Little Voices: Holiday-The Loco-Motion- Let It Snow,let It Snow,let It Snow- Walking In The Air- Mary's Boy Child- Rudolph The Red Nosed Reindeer- Silent Night- Winter Wonderland
- Little Voices: White Christmas-Jingle Bells-Santa Claus Is Coming To Town-We Wish You A Merry Christmas
- Little Voices : - Merry Christmas Everyone- Last Christmas- Hooray! Hooray! It's A Holi-Holiday
- Wondrous Xmas
- WhiteXmas
- กุมารนี้คือผู้ใด
- ขอให้มีความสุขวันคริสต์มาส
- We Wish You a Merry Xmas
- We Wish You - (Brass Band)
- เราทั้งสามเป็นปราชญ์บูรพา
- ทั่วโลกา
- The First Noel - (String)
- Christmas Songs Midi
- ระฆังเงิน
- คืนนั้นเงียบสนิท
- ซานตาครอสมาบ้านเรา
- Rocking around the Christmas Tree
- Red Nose
- OXm Tree
- ชาวเราคริสตัง
- MERRILY
- พระทรงบังเกิด
- เพลงระฆัง
- Jesu Joy - (String)
- HRCMS
- ถ้ำเบธเลแฮม
- Hang Belem
- พระเจ้าให้มีความอุ่นใจ
- FROSTY Snow Man
- องค์พระกุมารน้อยทรงบรรทม
- Ave Maria (Symphony)
- เห็นดาวทอง ( เนื้อเพลง )
- Angels we have heard - (Rock)
- โรจนาแด่พระเจ้า ( เนื้อเพลง )
- Angels we have hear on high
- ขอเชิญท่านผู้วางใจ ( เนื้อเพลง )
- Adeste Fideles
- What Child is This
- We Three Kings
- The Little Drummer Boy
- Silver Bell
- Silent night
- Santa Claus is coming to town
- Rudolph The Red Nose
- O holy night
- O Christmas tree
- Joy to the world
- Jingle Bell
- Grandma got run over by a reindeer
- God rest ye merry
- Deck the Holly
- Away in a manger
- Ave Maria
- Angels we have hear on high
- Oh Come All Ye Faithful
- รวมลิงค์ดาวน์โหลดเพลงคริสต์มาส
" จงร้องเพลงสรรเสริญสดุดี ถวายพระเจ้าของเราเถิด" (สดด 147:1)
"ยิ่งดนตรีศาสนามีความสัมพันธ์ใกล้ชิดกับพิธีกรรมมากเพียงใด
ก็ยิ่งเป็นสิ่งศักดิ์สิทธิ์มากขึ้นเพียงนั้น" (sc.114)
ดนตรีศักดิ์สิทธิ์ในพิธีกรรม จึงเป็น "ขุมทรัพย์อันล้ำค่าของพระศาสนจักร
ที่จะต้องบำรุงรักษาไว้ด้วยความเอาใจใส่อย่างดีที่สุด" (sc.114)
"ยิ่งดนตรีศาสนามีความสัมพันธ์ใกล้ชิดกับพิธีกรรมมากเพียงใด
ก็ยิ่งเป็นสิ่งศักดิ์สิทธิ์มากขึ้นเพียงนั้น" (sc.114)
ดนตรีศักดิ์สิทธิ์ในพิธีกรรม จึงเป็น "ขุมทรัพย์อันล้ำค่าของพระศาสนจักร
ที่จะต้องบำรุงรักษาไว้ด้วยความเอาใจใส่อย่างดีที่สุด" (sc.114)
Christmas Songs Favor
- 루돌프 사슴코 (Rudolf The Red Nose Reindeer) / 루돌프 사슴코는 / 매우 반짝이는 코 / 만일 내가 봤다면/ 불붙는다 했겠지 / 다른 모든 사슴들 / 놀려대며 웃었네 / 가엾은 저 루돌프 / 외톨이가 되었네 / 안개 낀 성탄절 날 / 산타 말하길 / 루돌프 코가 밝으니 / 썰매를 끌어주렴 / 그 후론 사슴들이 / 그를 매우 사랑했네 / 루돌프 사슴코는 / 길이길이 기억되리
- 울면 안 돼 울면 안 돼 / 산타할아버지는 우는 애들에겐 / 선물을 안 주신데 / 산타할아버지는 알고 계신데 / 누가 착한 앤지 나쁜 앤지 / 오늘 밤에 다녀가신데 / 잠잘 때나 일어날 때 짜증낼 때 장난할 때도 / 산타할아버지는 모든 것을 알고 계신데 / 울면 안 돼 울면 안 돼 / 산타 할아버지는 우리 마을을 / 오늘 밤에 다녀가신데
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Classic Vocal Warm Up
Voice Lessons & Tips on Singing
The Sunday Singer Worm-up1
Ah Poor Bird! Minor Tone Worm-up
Catholic Choir
Monday, 31 August 2009
Choir Worm-Up!: วอร์มเสียงคณะนักร้องประสานเสียง
Choir Worm-Up!: วอร์มเสียงคณะนักร้องประสานเสียง
The secret to an effective Choir warm-up is to keep it fresh and not let it become routine. For the warm-up is not only to get the singers' voices cranked up, but also to switch on the musical side of their brains!
You want to create a concentrated atmosphere conducive to work and at the same time you'll put your choir into good form for a long and hard practice.
Put yourself in the ordinary choir member's shoes – a hard day's work often full of frustration, the boss in a bad mood, a difficult journey to rehearsal ... all these circumstances will militate against a good practice. You'll have to replace these bad vibes with good humour and positive attitudes – and this is the real purpose of the choir warm-up.
So how should you set about it? Be sure to give a warm welcome to your singers – they need to know that you're pleased to see them! A cheerful greeting that brings forth a smile will work wonders in helping them to change over from Work mode to Choir mode.
Now you can break your warm-up into three parts:
- Touch
- Breath Control, Scales, and Vocal Exercises
- Aural Training.
Keep the warm-up to about 10 minutes or less.
Touch การสัมผัส
A tactile approach to the warm-up will help weld your choir into a team without any damaging inhibitions. During rehearsal there is always the possibility that a singer will make a fool of him or herself, and the embarrassment caused can prevent them from singing properly.
The aim of the tactile approach is to give your singers the confidence not to crumple when they're under pressure. Touch can eliminate the shyness or stage fright that can sometimes cause serious problems.
Ask your choir to hold hands while singing a warm-up exercise or a scale. Ask them to move in time to a short piece that you play on the piano - a waltz or a pop-song - while holding hands. If you have a masseur in the choir you can encourage gentle neck massage. This will help your singers achieve relaxation - the first step towards creating the correct physical tension necessary for rehearsal or performance.
The similarity between athletics and singing is striking – both involve the entire person and both demand people who are totally at ease with both their minds and bodies.
Breath Control การควบคุมการหายใจ ฝึกการหายใจของคณะนักร้องประสานเสียง
Breath control is as essential for the singer as it is for the athlete. A good singing teacher will help you understand breathing technique. There's a subtle difference between solo and choral breathing, and you'll need to assimilate this.
Ask your teacher to help you devise warm-up exercises that will benefit your singers. Vocal support is essential and exercises to develop the diaphragm are invaluable.
Design exercises which will enable your singers to sustain long phrases without running out of breath. I've occasionally brought in a good and lively singing teacher to work with my choir on breath control. This is always helpful – not least because choirs tend to take the expert and revered singing teacher more seriously than their own conductor!
Scales (สเกลเสียง)
When practicing scales start with downward ones. Vary their speed and seek a unanimity of vowel sound – this is essential for good choral singing. When you sing upward scales always take the choir a third higher than they will go in service or concert. This will give their high notes security in performance.
Sing chromatic scales and see if your singers can perform them without going flat. It’s not easy - judging an accurate semi-tone is difficult. Sing a full-tone scale and, for fun, a diatonic scale on a rolled r sound. Try it – it’s possible!
Vocal Exercises
Here are two warm-up exercises I have found useful.
1. Tonic, Mediant, Dominant, Sub-mediant, Dominant, mediant and Tonic on one vowel sound and take the choir high a step at a time. This gives your singers a great sense of the "choral arch".
2. Tonic (minim or half-note) Tonic an octave higher (minim or half-note) and then down the scale making each note a crotchet or a quarter note. Again, go high with this, a step at a time.
Devise your own warm-up exercises in conjunction with your teacher, but do remember that each singer will have their own range. Don’t ask altos and basses to sing in the soprano and tenor range and vice versa.
Lastly, you can use quick tongue-twisters. They can be sung to scales – a whole tongue-twister per note. These are always fun and usually break down in hearty laughter! "Red lolly, yellow lolly, Red lolly, yellow lolly" and "Peter Piper picked a peck of pickled peppers" work well. Of course you can compose your own, but I find the choir enjoy finding new tongue-twisters for their warm-ups themselves.
Aural Training in the Warm-Up
The purpose of this part of your warm-up is to encourage your singers to listen intelligently. Remind them that each must be able to hear the person next to them. They should never forget that they are part of a whole and that the whole is more important than the individual. Ask your choir to identify major and minor chords; pick out individual notes from chords and sing in parts the chord that will resolve the dominant seventh that you play (you will need to give them examples of this).
It’s fun to play a single note and ask your choir, on your down beat, to add all the notes that will turn your original into one great big chord, so, if you play C you will hope to hear your choir sing E, G, C in many different registers! Devise your own warm-up exercises to cope with particular problems.
Make your aural training fun and you can, of course, always introduce an element of competition. For example, ask the men to identify major or minor chords and then the women – find out who’s best at it!
A well warmed-up choir is a prelude to a good practice. You will need to be continually inventive, discovering new exercises and stratagems, always on the lookout for original ideas and always seeking a humorous and light-hearted approach to this most important section of a choir practice. The Choir warm-up is great fun – enjoy it!
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For more topics of interest in Music-for-Church-Choirs.com
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